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indecisivemuch · 2 months ago

Note

hii first of all luv the username cause as a libra rising, samedt ;-; i'd like to make a request for a luke x f!reader fic pls!! um, so they're best friends, and luke decides to confess to r by giving her gifts, letters, trinkets, etc. with hints about his identity, but she doesn't know who they're from. so she asks for luke's help to find out about the identity of her secret admirer. but what if there's like a mistaken identity and she thinks it's someone from the hermes cabin (maybe chris? or one of the stoll brothers idk) and luke's just all pouty but nonchalant or something, but deep down he's like 'how do i even make her see' or something (while also second guessing that maybe he shouldn't confess it's him) like fluff with tiny angst :>

Message in a Bottle

Pairing: Luke Castellan x Reader

Summary: You got a secret admirer and recruited Luke to help you find out who they are...ignoring the most obvious option (Fluff, angst, best friends to lovers, happy ending)

Note: I'm so sorry for the six month hiatus. It wasn't by choice, I swear 😭. So many bad things kept happening that prevented me from writing (is this the writers curse people kept talking about?). Also, the request wanted only a sprinkle of angst, but I kinda got out of hand with it I think 😭 (sorry).

Word count: 4.4k (whoops)

You’ve always thought that too much of something is bad. Yet, ever since the day your life intertwined with Luke Castellan’s, you weren’t very sure about that anymore.

The two of you arrived at camp around the same time, entering a friendship that felt like hitting the jackpot. Your early days together were something that you both treasured dearly. Every time you thought a certain time period would someday be reminisced as the golden days of your friendships, new things would come, and top it off.

However, golden skies were soon evaded by clouds of pink hues. You found yourself noticing and appreciating small details you haven’t noticed before about your best friend. Initially, you acknowledged the growing feeling but decided that they better remain as footnotes in chapters of your life. However, fate’s design was different to your plans, because two years later, here you were: you looked at him almost in the same way a fool would look at the world with rose-colored glasses (but then again, maybe it was because you have learned to embrace and adore his flaws).

“Luke!”

The Hermes cabin counselor snapped his head towards the sound of your voice, eyes straying from his duty of the hour. A smile began forming on his face as you came to view, almost like he has always been programmed to do so. There was a certain spring in your steps. Moments like these made Luke feel like he was a minimalist because your happiness was somehow enough to guarantee his own.

You situated yourself next to Luke on the ground, not minding the dirt.

“Hey now, I’m meant to be watching these kids train, don’t come over and distract me,” the Hermes cabin counselor warned, though he didn’t move his eyes away from you. He simply couldn’t.

Everything about you served as a distraction to him. From the soft smirk gracing your lips to the innocent tilting of your head. Every little detail about you was captivating and was equally capable of drawing his attention away from wherever it was meant to be.

In fact, his attention issue around you was getting rather shameless because his friends have begun picking up on it and started teasing him for it. Personally, Luke doesn’t think it was his fault. His eyes just happen to draw to you in every room like second nature, while his mind short-circuited every time you were near.

Maybe, and just maybe being rational and able to function properly has stopped being his forte…at least whenever you were around.

Your eyes moved to the group of kids that were only going to be at camp for the summer. From the looks of it, Luke has just assigned them to practice sword fighting in pairs. You then glanced back at your best friend, discreetly drinking in the sight of him.

No doubt he did his fair share of demonstration before letting these kids go off on their own, because right now, his face was slightly flushed, veins evident on his forearm while the familiar orange shirt clung onto his body with glistening sweat.

You shook away the non-platonic thoughts and teased him, “Oh, come on, you wouldn’t pass up on talking to me. You adore me too much.”

Damn right, he does. Luke could feel his cheeks heat up again.

“Fine. What are you here for, firecracker?”

“I got another gift,” you informed, presenting the bracelet in your hand.

For the past month, you have been receiving small letters and gifts. This time it was a handmade bracelet with beads of your favorite colors, as well as charms that represented some of your hobbies and favorite things. It was clear that your anonymous admirer had put a lot of thought into such a small item. However, as always, there were no identities attached to it, leaving you clueless about the person behind these gestures.

Luke took your hand in his, eying the accessory that perfectly fitted your wrist. He started toying with the beads around your wrist that were shining in your favorite color.

The boy’s gaze flicked from the object to you, catching your soft and warm look. Gods, if you kept looking at him like that, he might just actually stop thinking logically. He could practically feel a confession lingering behind his lips, threatening to spew the second his ropes of restraint died.

“Anyway, I came here with an idea,” you broke the silence. “What if I try to find out who this person is? I mean, some of these gifts are quite specific. They seem to know my favorite color, flowers, and things I like. Surely, it wouldn’t be that hard to narrow it down and figure it out?”

Something shifted in your best friend’s behavior and you could feel it. There was a slight flustering look on Luke’s face as he avoided eye contact with you. It was rather strange to see the Hermes cabin counselor so fidgety. Luke has always been confident and composed, and you’d often be the one to humble down his playful cocky remarks. Half-way through looking at his behavior, you began speaking:

“You…”

Luke could feel the blood draining from his face at your facial expression, his face paling despite how flushed he was seconds ago from demonstrating sword fighting. The boy tried to regain his composure, though his attempt at seeming nonchalant failed as you touched his arm. Did you—

“You can be my inside man, talk to these guys to see if they’d slip up or something like that.”

“I don’t think that’s a very good idea,” Luke hastily replied, clearing his throat.

“Oh, I’m sorry. Did that come across as a suggestion? I hate to break it to you but being best friends means you sorta have to participate in my schemes,” your lips curled as Luke grunted at your words.

“Yeah, but—”

“Luke, please…it’ll be fun,” he almost scoffed at your words and unconvincing argument. Clearly, the two of you had different definitions of fun. Just as he opened his mouth to reject your idea again, his eyes caught yours. You were looking at him in such an eager and heart-warming gaze that it made him forget what he was intending to say.

Ah, there was no denying anymore. Being rational and able to function properly has truly stopped being his forte.

“Fine,” Luke uttered, the word pricking his tongue as regret started kicking in as he accepted being your accomplice. This decision could only come back to bite him in the ass. He watched as you quickly celebrated his lack of restraint.

“Ah, you gave in quite quickly,” you jabbed.

“Shut up.”

Oh, you were going to be the death of him.

~ ~ ~ ~ ~

Two days have passed since you got Luke to agree to help you find your secret admirer. Though, the boy must say, the last forty eight hours have been slightly comedic for him, watching you trying to track down your secret admirer…

While the real sender of those gifts was right beside you, nodding along to your every word.

Luke’s mind trailed to the origin of this “secret admirer” idea. He started it as a way to abate the urge of straight-up blurting out how love-struck he was with his own best friend, while also testing out the waters before finally confessing his feelings for you.

Though it was slightly amusing how the idea led him to where he was right at that moment. The Hermes cabin counselor zoned out as he pretended to speak to another boy you thought was behind those sweet gifts and letters.

Luke used to have those feelings under rein, but self-repression only caused it to grow exponentially. Initially, the Hermes cabin counselor dismissed those beyond friendly thoughts, thinking they would eventually fizzle away. However, against his predictions, this fondness towards you became a sort of companion to him for three long years.

Not only that, years of excessively burying these feelings six feet underground also came back to bite him in the ass because instead of having his feelings under control, they now have the upper hand.

Sometimes he felt like a puppet, while his feelings plucked the strings. His facial expressions were forever cursed to be sculpted in raw yearning whenever around you, having no choice over how he reacts to everything related to you.

But it didn’t matter, because he was going to finally confess soon.

Luke almost burst out laughing at the way you were standing in anticipation, waiting for his intel on the most recent candidate. It was entertaining, to say the least, pretending to engage in investigative conversation before heading back to you, shaking his head in feigned disappointment.

However, it didn’t take long before the Hermes cabin counselor started feeling sour.

Just as he made it back to your side, he watched as you started talking again, already discussing the next guy you thought might have done these things that Luke himself came up with. He eyed your in sync footsteps with a heavy heart. Despite the matching movement, he somehow still felt eternally behind. Luke was so close, yet so far away, and never quite able to grasp onto your ever moving attention.

Did you not consider him as an option at all? Did you truly not see him as anything other than a good friend? It started stinging him knowing you were considering all these other guys as potential candidates — the faces that now haunt him in his sleep, poisoning his mind with an acidic jealousy that was eating away his common senses and fueling immoral thoughts.

Soon enough, that same jealousy seared his mind with this overwhelming self-doubt. Luke’s foot started feeling cold at the thought of confessing. Gods, he never thought the same security behind anonymity would now make him feel desperate to be seen by you.

“Maybe I should give up,” you concluded, mindlessly staring ahead. Your attention elsewhere gave Clarisse and Chris an opportunity to send each other knowing looks. The two have been watching you run around in circles on a goose hunt, not knowing to look right behind at the sulking figure that was trailing after you.

Your distracted state also meant you didn’t notice the moping human situated beside you. However, hearing your declaration of ending your chase, Luke saw a window of opportunity. Maybe now was finally the time to be truthful. After all, if he doesn’t tell you, then how will you know and see him? Luke’s momentary motivation carried him through waves of dejection.

“Y/N, I need to tell you something,” Luke blurted out without much more thought or preparation, and his tone made you fully turn to him. Just as words finally formed and the boy opened his mouth to tell you—

“Hey Y/N, can I talk to you privately?” Somebody interrupted. Your eyes didn’t leave Luke immediately, but when you saw your best friend’s momentum had faltered, you turned to the stranger. It was another Hermes boy, somebody who you’ve seen around. You politely agreed and left with him.

“So, I heard you’ve been looking for the person who’s been giving you anonymous gifts. And well, it’s your lucky day, 'cause…” the boy stared you up and down while you subconsciously took a small step back when he leaned forward. “...I’ve decided to come forward and reveal myself.”

“Okay…well, prove it” you squinted. Though your skepticism didn’t make the Hermes boy in front of you falter. Clearly, he expected this.

“The first thing you were given was a note, and…the two most recent gifts were a cassette tape and a bracelet — which was made from beads of your favorite color and charms like…” you zoned out as the boy started listing out some of your favorite activities that were indeed the charms on your bracelet. You fiddled with the bracelet that you had purposefully hidden out of his view right behind your back.

There was a pinch in your heart that signaled the last bit of hope dying.

Oh…so Luke really wasn’t your secret admirer.

You internally scoffed at yourself. You should have known right after he said yes to helping you out with finding your secret admirer — which was originally an idea used as bait to determine if Luke was the sender or not, because if it was really him then he wouldn’t have agreed to help you out with this. However, not only did your best friend agree without much convincing from you, but he had seemed so nonchalant and unaffected as you named all these boys you wanted him to talk to.

Perhaps this secret admirer thing was something good. Somebody has shown interest and their actions have been nothing but sweet. Those letters contained words that were eternally bound to your memories, even altering the way you view yourself for the better. Maybe you could get to know this person and move on from hopelessly crushing on your best friend.

Halfway through, you realize you were so engulfed in your thoughts that you have zoned out to half of the things the Hermes boy was saying, and merely caught onto the last bit of his speech:

“...thinking maybe we could go on a date and get to know each other more tonight?”

Your stomach churned again, yet you nodded your head.

Move on. Move on. Move on. Move on.

Your friends gave you questioning looks when you got back to where they were, clearly curious about what you were pulled away for.

“So…that was my secret admirer, and I’m going on a date with him tonight,” you hoped you sounded more enthusiastic than you were feeling. You tried convincing yourself at least it was good knowing definitely how your best friend actually felt about you. Quickly sitting down, you kept your eyes on Clarisse, knowing if you even looked over at Luke, he’d be able to tell straight away that something was wrong.

Your lack of focus also meant you didn’t think much of the quiet murmur from your best friend: “Sorry, I just remember I need to do something.”

~ ~ ~ ~ ~

You looked at yourself in the mirror one last time. It was now the afternoon and you just finished getting ready for your date. As you were leaving, you spotted a note at the foot of your cabin. Seeing your name written on the paper, you picked it up while eying it peculiarly.

“You could be the one that I love,

I could be the one that you dream of,

Message in a bottle is all I can do,

Standing here hoping it gets to you.”

Your gut feeling stirred, hitting you with waves of higher certainty over suspicions you have previously had and denied.

Those lyrics were directly associated with a memory from summer two years ago.

Luke and you were sitting by the campfire when he asked what your favorite song was. You told him the name and mentioned you hadn’t listened to it in a while because using technology devices with signals were dangerous for Demigods. The conversation slipped your mind but clearly loitered in your best friend’s mind, because two months later while on your way back to camp from your quest together, he gifted you a tape player along with a cassette of said song along with others that you liked.

You blinked away the image of you leaning on Luke’s shoulder while the two of you listened to the song together on the train back to camp.

You re-read the note again while shaking your head. Perhaps it was a coincidence. Perhaps, that Hermes boy knew the song and it was also one of his favorites. Perhaps—

Your hand started trembling around the paper. Your eyes landed on one small detail in the note: a particular handwriting choice. The rest of it matched with previous notes, but there was one singular scribbling feature you’ve never seen used before.

Everything came crashing down and your internal eternal cycle of excuses and denial shattered.

You ran. It didn’t matter that it was raining and your attire was getting soaked. It didn’t matter at all because you were frustrated and confused. In other instances, you would have been elated at the possibility of mutual affection, but in that moment, exasperation blinded you from sensibility.

If what you have concluded was true, then why on Earth would he allow you to go on a date with a person who stole credit for things they didn’t do? This whole time, he made you feel like a fool — for waiting that long and having hope after all that time; for asking the person you were looking for to hunt them down with you; for sulking despite having what you thought was a good opportunity to come along; for borderline going on a date with an imposter; and for not seeing it all along that it was him.

“It’s you, isn’t it?” you called out.

Despite the rain, you could see your best friend’s figure stiffened before turning around to face you. The boy stood with his hands behind his back, not yet daring to look at you.

“The “th”. You connected the cross in the ‘t’ directly to the ‘h’,” you presented the note in your hand, pointing specifically at the slip up that Luke had made in the latest note, not caring of the raindrops that were hitting the paper. “It’s how I write it, and you started writing it the same way a year after we got to know each other because you liked the way it looked,” you pressed further.

The expression on Luke’s face painted your theory into the truth of the situation. You felt your hand slightly shaking at the revelation.

“Why? You left anonymous gifts and notes and watched me put on this hunt — which by the way, was for you. And didn’t even say anything when a guy lied and said he was my secret admirer? Is this one big cruel prank?”

“No—”

“Oh! Well then, surely at one point in this whole thing, you felt like you should just tell me?”

“I was going to.”

“Then where were you when I was just about to head out with that fraud? Maybe if you really liked me and really cared for me, like all those damn notes say, you would have fought for m—”

“I did,” Luke finally raised his voice, his face briefly hardened in an attempt to convey his desperation. His chest heaved, and the way it did almost made you think the anger radiating off every inch of his skin right then was directed towards you. But it wasn’t, and he knew you knew.

“I confronted him right after he claimed that he was the one who gave you all those things.”

Invisible ivies rooted your foot to the ground. You gulped, trying to digest the information you were given. However, it finally sunk in when Luke’s hands appeared from behind his back. It was then that you could see the bandage wrapped around his knuckles. Your breath hiccuped in both flattery and worry at the implication of what he had done. The darkness behind those deep hazel-brown orbs reflected a certain side of your best friend that you hadn’t seen before. Although, part of you felt like you wouldn’t mind it.

It made Luke’s blood boil knowing what he dedicated to you from the bottom of his heart was spoiled by ill intentions. Luke should have known better than to carelessly write all the letters and craft those gifts right on his bunk bed, rather than discreetly.

Once again, the Hermes cabin counselor was pulled back to memories from an hour ago. The way the other boy shot remarks at Luke’s lack of precautions, boasting his wrong-doings like someone incapable of having a guilty conscience. Luke's jaw tightened as the image of the sly smirk on the other Hermes boy's face flashed in his mind, but a wave of satisfaction ran through him as he recalled how quickly that smirk was wiped away by his own fist.

They might be brothers by a fraction, but blood or not, that boy was dead to Luke the second he tried tricking you.

“And no, I wouldn’t have let you go out with a fraudster. Never,” Luke’s eyes softened. “And in case it’s not implied enough: I like you…a lot. I was going to confess but then this guy came along lying,” Luke could feel that tremor returning once more to his fist. He hated that something he built, from scratch, on the foundation of sincerity was momentarily tainted by the hands of a spineless liar. Not only that, he hated witnessing somebody so dear to him getting deceived in such a tasteless manner.

“I also…didn’t want to get hurt. It was starting to seem like you would ever consider me as more than just a friend with the way you were listing out all these other guys. So for a bit there I was considering just keeping quiet…forever” he confessed, eyes now straying away from you and down to his shoes.

You observed your best friend through a new perspective. So your initial suspicions were true. You had thought it was him because all the things you have received hinted to somebody who knew you so well, and who else at camp but Luke knew this many things about you. But ultimately, another part of you — the proclaimed “logical” side — has hyper-analyzed every split second you two have shared and deemed that Luke has not given any true signs of interest in you beyond as a friend. Thus, you dismissed the thought of Luke being your secret admirer.

You know now to trust your gut feelings more.

“Oh, Luke Castellan, you dumb ass…” you spoke softly underneath your breath, but you knew he heard you perfectly clearly from the way he slightly peered up. Your heart almost shattered at the dejected look on your best friend’s face and the thought of him burying his feelings eternally. You sure as hell would not allow that to be this timeline.

“I’ve liked you ever since the day you went out of your way and gave me that first cassette tape,” the marveled look on Luke’s face over your confession made you continue, “I guess I should have known it was you…cause gift giving has always been your love language.” It seemed like the boy was too stunned and struck frozen. However, his shell-shock state didn’t last long, because soon, your best friend’s gaze reverted back to the way he has always looked at you, only slightly more intense.

Your eyes fluttered at the sight of Luke Castellan in front of you at that moment. You were finally able to see the effect you’ve always had on him. The way his lips hung slightly agape, eyes dilated in such a way you were no longer able to see their usual color anymore, chest slightly heaving despite lack of physical reasons for such a reaction. You almost wanted to hit yourself for being such a fool and not spotting these details sooner.

“Now, Castellan…you have two options,” you stepped closer to him, leaving an appropriate amount of personal space in between. “You either kiss me or—”

Luke grabbed your wrist with his uninjured hand and pulled you in. The same hand-guided your arms around his neck while also effectively eliminating the remaining distance between you two.

Without hesitation, he kissed you.

Likewise, you returned the action without a second thought. You frankly didn’t care about the rain that was soaking the both of you. Kissing Luke felt like such a natural act that it felt simply like diving home. The way he held you made you feel like you were a national treasure he was so afraid of losing. Gods, you don’t think you mind doing this ever so often.

Though, there was a certain urgency in the way Luke kissed you, as if afraid you’d either vanish or you’d change your mind. You pressed your lips harder against his, hoping he’d understand you didn’t intend on leaving or having a change of heart.

A grunt escaped his throat as you kissed him harder. Oh, Luke Castellan already knew he was in immense trouble. He knew almost immediately that the concerning number of thoughts he had about you each day would only increase tenfold from this day on. He wondered if you could taste all of his unspoken words. If kissing you felt like this, he might as well sign away his heart, body, and mind to you. In fact, he’d sign anything you put in front of him without even considering the fine prints.

Luke slowly backed you against a tree, giving you a bit of support to lean against whilst shielding the both of you from the heavy rain. He smiled into the kiss as you hummed at his action, feeling it echo against his lips. His heart tugged, almost leaping out of his chest when your hands made their way to both sides of his face, cupping it intently like holding something yours. Yours. Fuck, he loved the sound of that.

You were the first to break the kiss. The both of you gasped for air while maintaining eye contact. The close-up view of his intense gaze drove your cheeks rosy. You could not help but admire the way his locks of wet curly hair clung onto his forehead, while raindrops fell from his face, some following the length of his eyelashes before falling — Oh, the way he glanced down at your lips at that second made you feel almost like you had the power to convince him into anything at the moment.

“You’re my best friend…” he broke the silence.

“Mhm.”

“...but what if I want you to be more than that?”

“I can be both,” Luke’s lips broke out into a smile, and you mirrored his facial expression. He leaned his forehead against yours whilst softly rubbing his thumb soothingly against your waist.

“I’m not against that.”

As a larger grin broke out on your lips, Luke’s eyes further softened. He realized right there and then that anything you wanted, he would not be against it. A breath of relief quietly escaped beneath Luke’s breath. He could not wait for whatever was in store for the both of you in the future.

Good thing his messages in a bottle did get to you.

-------------------------

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chaotic-archaeologist · 2 months ago

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https://nypost.com/2024/08/28/world-news/boy-4-accidentally-smashes-bronze-age-jar-that-was-at-least-3500-years-old/

Your thoughts?

Personally, I'm kinda sick of museums being required to cater to kids so much. If you're going to do this open air exhibit, kids who don't know how to keep their hands to themselves just shouldn't be allowed in. The glass is there for this very reason.

Actually, I'm with the museum on this one. Is it unfortunate that the vase was broken? Yes. Was the vase a valuable piece of the past? Also yes. But I think the museum did something very cool by not having the artifacts behind glass and are handling this with good grace and the sense to make this a learning opportunity.

Sometimes we overlook the fact that museums often attempt to arrest or freeze artifacts in time. They are kept in controlled conditions to prevent them from deteriorating and even treated to reverse damage. Many things on display on museums are elevated beyond their original value, alienated from their original purpose, and closed off from interaction.

It's incredible that this jar survived as long as it did—and its age is what makes it special—but at the end of the day, it is still a jar. It has now experienced the thing that happens to pretty much every jar that has been or will be. After all, decay is an extant form of life. (If you want to read a very well written and interesting take on decay and archaeology, check out this article by Caitlin DeSilvey.)

The article I linked above provides some important context and the update that the museum is planning on using this as an opportunity to teach about the conservation process. The jar's story is not over; it is being pieced back together and in this next chapter in its life it will be able to tell two stories: one of its life and the other of its rebirth. The museum's approach embraces that, exactly like the Japanese art of Kintsugi.

I also agree with the museum's decision not to punish the child or his family. Things go wrong in museums all the time despite their highly controlled environments, and this is why they have artifacts insured. Sometimes the thing that happens is a child, and by and large museums do not seek damages.

I would encourage you to rethink your stance on museums and children. Museums are for everyone. Children have a right to experience museums and what they have to offer just like anyone else. There are also many studies that discuss how going to museums benefits children.

In this case, perhaps the exhibit design was slightly flawed, but the four year old boy accidentally knocked the jar over because he was curious about what was inside and wanted to investigate. Curiosity is exactly what museums should be encouraging. In an ideal world that curiosity would have been channeled into some other kind of engagement, but the folks who work in museums have a lot on their plates and cannot plan everything perfectly all the time. Even if they could, they often do not have the resources to do so.

Finally, the AP article mentions that the boy and his family were visiting the museum to get away from Hezbollah rocket fire. Regardless of your opinions on the current conflict, everyone deserves to have a safe place to exist. That museums can serve as those spaces is an honor.

I commend the Hecht Museum and the people working there. They 1) successfully provided a place of learning and refuge, 2) opted not for a punitive approach—which is often the default Western model for justice—but a compassionate one, and 3) are using this twist of fate to create programming that will further engage the public.

@museeeuuuum and @museum-spaces would you care to comment?

-Reid

#anyone who clowns on this post gets blocked immediately #museum #museums #children #broken jar

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starcurtain · 2 months ago

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Hello! I just saw your latest post and you might have been referring to my ask if it was the one about Ratiorine's differing philosophies or of what philosophies they abide by (existentialism, absurdism, etc) then that's me! If you weren't referring to that I apologize for the confusion. Sending it off anon this time so maybe it doesn't disappear 🥲

Sorry for the ask disappearing the first time; I'm not sure what happened, and I was so sad because I had been carefully holding on to it to answer it! I'm glad you were able to resend.

I do have to say first that philosophy is not my area of expertise, so there may be much more qualified philosophy buffs out there who can answer this more accurately than me, but I'll give it a go with my personal understandings of the characters:

First, Ratio is the easier of the two I think. As many people have said, he's a good fit for existentialism. His entire shtick is basically believing in the power of the individual to improve and enrich their own life, to fight valiantly regardless of the hardships imposed by their life's circumstances, and to make themself into a better person by their own choices.

It's important to underscore that this means Ratio believes in self-determination, in the idea that people's lives are not foreordained but are actually actively shaped each day by personal decisions. Therefore, people have inherent freedom to decide the course of their own lives by accepting what they approve of, refusing to accept what they disapprove of, and harnessing their own individual power to ultimately achieve self-actualization.

Essentially, Ratio works under the impression that life is not guided by something as intangible as destiny, and no matter where you start off in life, what ultimately happens to you is within your control (or at least within the control of whoever controls you). This is likely a small part of why it grates on him so badly that he wasn't recognized by Nous, because the fact that one can dedicate everything to a goal and still not achieve that goal runs contrary to his central philosophy.

If he believes that people have the power to determine the course of their own lives, then what does it say about him, who fought so hard to do exactly as he claims even idiots can do--seize control his own fate--and yet didn't succeed? Are there some things outside of man's power? It's enough to make even a renowned doctor question himself, and Ratio decided to come out on the side of "It's a personal failing, not a flaw in my philosophy." He literally said "Skill issue" to himself.

Changing tack a tiny bit here, I think it's also important to emphasize that there is a difference between existentialism and nihilism even though these philosophies dovetail. Again, I'm not an expert in philosophy, so my understanding is very limited, but the basic idea of existentialism is that "existence comes before essence"--that is, things start as a blank slate and gain nature and meaning after the fact. We are not created by some grand design, nor is there any inherent "purpose for living." Things just exist because they exist.

This is where existentialism intersects with nihilism, at the starting point that existence is inherently meaningless. But, in my personal opinion, nihilism as a philosophy fails to move beyond that. Pure nihilism is ultimately self-defeating because it leaves us with no motivation to commit to growth. It's a philosophy antithetical to the continuation of life as we know it. Existence is meaningless and any meaning you personally derive from existence is also meaningless, so why bother attempting to derive any meaning at all? This complete apathy is the Device IX that Star Rail paints as so dangerous.

And Ratio is not this way at all. His philosophy absolutely reaffirms that life can have meaning, so long as people create that meaning for themselves. He simultaneously asserts that anything that people create is not meaningless ...which basically means that meaning itself cannot be meaningless. (If that makes any sense to anyone.)

Frankly, I would argue that this philosophy may be a core part of why Ratio has not been recognized by Nous so far, rather than simply his "being a good person." (Nous is a robotic AI super-computer, why would THEY care about the presence or lack of human empathy?) Ultimately, Ratio's central philosophy about people being capable of determining their own fates and purposes also applies to his understanding of knowledge--knowledge is not something which is inherent in certain beings from birth or limited to the purview of the "special" (geniuses), but is attainable by all people. People are not "born talented" or "born untalented," they are simply "educated" or "uneducated," with the only barrier between these categories being one's own personal willingness to change. The mundane can become the divine--if they work hard enough at it.

Thus, knowledge is not wealth to be hoarded, but a currency to be spent to enrich other members of humanity.

(By the way, completely random aside--it also surprises me that everyone relates Ratio to Alhaitham from Genshin when they literally have such a glaring fundamental discrepancy in their understanding of the concept of wisdom... But anyway, back on topic!)

Ratio may (sort of) respect the members of the Genius Society, may recognize their incredible knowledge and abilities, but at the heart of the matter lies a single all-important question: Does Ratio even really believe in "genius" as a distinction (other than as a concept to insult himself)? Does he truly believe there is barrier between brilliance and idiocy that "ordinary people" can never cross?

He speaks convincingly about geniuses being different from "the ordinary," but if his core belief is that people have the power to pull themselves up out of despair and achieve greatness through effort and self-development, rather than some form of luck or god-given talent at birth, then... do born "geniuses" even really exist? Is there really an insurmountable difference between brilliant and mundane?

If knowledge is the equalizer of all sentient beings, do we not all have at least the initial capacity to become geniuses?

I personally think this central distinction about the capacity for knowledge among all humanity is the actual deciding factor in Ratio's rejection from the Genius Society, because, at the end of the day... how do you become a member of the "Genius Society" when you fundamentally reject the distinction of "genius" as an exclusive category from the start?

Ratio wants to share knowledge and uplift everyone (even if he thinks most people are starting off at the rock bottom known as idiocy).

His mission is diametrically opposed to the concept of a "Genius Society" in the first place.

He wanted in to the cool kids club because he desperately craves validation and acceptance, but the philosophical values of the Genius Society are ultimately incompatible with his own. In short, he would have to cease to be "Veritas Ratio" to succeed in joining the geniuses.

Okay, okay, back to the original point again, and just one more note about Ratio: Even though existentialism also goes hand-in-hand with absurdism, I don't think Ratio is far enough down the philosophical rabbit hole to believe in the wider definition of absurdism. Although I think he does agree with the inherent meaninglessness of existence, I don't think he views existence itself as truly irrational and the universe as as manifestation of unknowable chaos. I think he'd at least like to imagine that there are some ontological principles and inherent laws governing the operations of reality, and I think he does believe that certain things can be predicted with the application of enough thought... He certainly seems to believe in some form of "objective truth," at the very least.

I think he'd at least like to believe the universe is semi-orderly, even if he might deep down admit this is also wishful thinking.

So, to me he reads as a strong metaphor for pure existentialism, with deliberate rejections to both nihilism's apathy and absurdism's lean toward solely subjective reality.

PHEW, this is already long and I still have a whole other character to talk about... I had more to say about this topic than I thought. Sorry for the long read!

Anyway... Aventurine.

I've seen all sorts of things thrown around for Aventurine's philosophy, and while I think he does inherit a bit of Acheron's absurdism by the end of 2.1, I actually don't think Aventurine is an absurdist, an existentialist, or a nihilist.

I think Aventurine is a struggling fatalist.

He doesn't like it. We see him actively question it, but ultimately, he does come back to the concept of destiny over and over.

First, I think it's important to draw a clear distinction between Ratio and Aventurine: Ratio's existentialism is a philosophy that technically works even in a theological vacuum. Nous doesn't have to exist for Ratio's philosophy to function. Ratio's belief in the self-determination of humanity is, in fact, somewhat opposed to belief in aeons in the first place, and only works because technically the aeons of Star Rail used to be human (or were originally human creations). It's essentially an atheist viewpoint.

But Aventurine is a religious character. Like, he's just... religious. That's a fact about him. Even though we do hear his doubts, at the end of the day, he actually believes in Gaiathra, and believing in a omniscient supernatural being that is not human in origin (is from outside the aeon system) comes with a whole set of philosophical foundations that most aeon-worshipping characters just don't have in Star Rail. (Sunday is the obvious exception here, by the way.)

Kakavasha's like the one practicing pagan in the middle of an atheist convention. Awkward.

Being more serious: Religion requires faith. Faith requires the ability to believe in things you cannot verify with empirical facts. To believe in things you can only feel, never see. The belief that a goddess is watching over you, blessing you, and guiding you requires you to also accept the idea that events in your life are not always in your own control--that some of what occurs to you is decided by powers beyond your comprehension.

In essence, faith requires belief in fate. And that leads to fatalism.

No matter how much he doesn't like it, no matter how much we see him struggle with it, Aventurine does actually seem to believe in the concept of fate. He believes that some events in life are destined to occur, that some things are outside of individuals' control, and that ultimately not everything can be changed.

This is the dead opposite of Ratio's mindset: No matter how hard we fight, how far we push ourselves... in the end, sometimes people fail. Sometimes the only answer to our endless struggles is that we die, as we were destined to, before ever achieving the greatness we sought or the futures we were promised.

As an aside, I don't think faith or religion are necessarily the only factors connecting Aventurine to this particular philosophy either. Even removing theological aspects from the conversation, his extreme focus on the gambling aesthetic suggests a strong connection to fatalism too--if not a goddess, then one's fate may as well be in the hands of luck itself, of the whims of the rolling dice--or the push and pull of "powers that be," those figures of authority in the room where it happens, who make their shady deals according to preset rules and expectations, every bet resulting in an ultimately predictable outcome.

(He keeps gambling and gambling, hoping that he'll get a different result than the one he knows is inevitable...)

This is, of course, an inherently pessimistic mindset, a perfect dark-mirror to Ratio's deep-down optimism. Fatalism puts humanity into a position of powerlessness. All hopes and dreams are given over to the goddess, by whose judgment and whims the actual events of one's life are decided. Pain and poverty are inevitable trials. Suffering and death are foreordained.

And yet Aventurine has to cling to this, as much as he doubts it, as much as he hates the idea that things in his life are beyond his power to control.

Because if fate doesn't exist... If it wasn't destiny, if the tragedies of his life weren't trials from the goddess, if things weren't supposed to go this way... Then every single thing in his life really is meaningless. Everything he suffered, everyone he loved and loss, his mother's and sister's sacrifices, the torment he went through--just sheer bad luck. All of it, completely and utterly meaningless.

How can you convince yourself to keep living, in the face of such supreme and all-encompassing Nihility?

This is the central struggle of Aventurine's character, the actual mental and emotional journey we see him undertaking from 2.0 to 2.1. He is literally on the precipice, swinging between a viewpoint that he hates--his fatalistic belief in destiny--and an entirely self-defeating philosophy--nihilism--whose only possible final outcome is suicide.

This is what his talk with Acheron at the end of 2.1 is all about. This is how she saves him. In that final cutscene, we witness Aventurine reach a mental compromise, managing to finally reconcile his necessary faith in the concept of destiny with the reality that life may truly begin meaningless--but beginning meaningless does not mean staying meaningless, and believing in destiny does not bar you from making your own choices or finding your own purpose in life.

Later on in Penacony's story, we literally see Acheron use Ratio's philosophy to reject the same nihility that crept into Aventurine's:

Acheron wards off nihility's apathy through an absurdism all her own, but one which manages to enclose both Ratio's and Aventurine's otherwise incompatible mindsets: We have no way of ever knowing for certain whether the events of our lives are fated or mere nonsense. We have no way of knowing if our choices are our own or foreordained. But we don't need to know this to find meaning and value in them. Whether life is nothing more than unpredictable chaos or a predetermined pattern of cause and effect, what matters is what you make of it.

Ultimately, I think that this post has really helped me recognize just how well Aventurine and Ratio work as philosophical foils.

They really are perfect opposites.

Aventurine's fatalism is deterministic, while Ratio's existentialism is self-deterministic. Aventurine's philosophy is inherently pessimistic; Ratio's is inherently optimistic. Ratio's philosophy operates on a core belief in the freedom of humanity to decide their own paths in life, while Aventurine hates but does ultimately believe that people aren't really in control, that even if no gods are guiding us, we can't rise above our own natures. Ratio's philosophy makes meaning from growth; Aventurine's makes meaning from loss...

And they both struggle with fundamental doubts in their own philosophies, core questions that are directly tied to their own lives. Aventurine worries that his faith might be misplaced, that destiny might not exist, and that everything he suffered might have been in pointless, empty vain. Ratio faces the crisis of recognizing that his core belief in the power of humankind to determine their own paths and make their own meaning might not actually apply to everyone--because it doesn't seem to apply to himself.

It's literally only by bridging this philosophical binary with Acheron's anti-Nihility absurdist rhetoric that we can reach some sort of healthy outcome. That's why it takes both Ratio's note and Acheron's comments to finally lead Aventurine to acceptance. Ratio probably needs a little bit of Aventurine's "If you didn't make it into the Genius Society, there's got to be a reason" mindset to finally reach some peace with his situation too.

I'm not even a philosophy expert and even I can see that there's really only one takeaway here: These two characters were totally written with each other in mind.

Aventurine and Ratio need each other on core metaphysical levels! 😂

It's so good guys. You can't see it, but I'm making chef's kisses, I promise.

#honkai star rail #aventurine #dr. ratio #ratiorine #aventio #well the implication is there at least #character analysis #honkai star rail meta #philosophy #long post is long #this took so long oops I'm posting at 2am #entirely unrelated but innenofutari #you are very based for having a Princess Tutu quote in your bio #that's the most important thing I could tag this post with #actually #also if my philosophy understanding is all wrong I'm sorry #not gonna lie I dated a philosophy major in college soooo #that should tell you everything you need to know about my feelings toward philosophy

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featherandferns · 1 month ago

Note

5. “Ah Yes. Betrayl, I’m Familiar With That”

22. “You’re My Best Friend” Angst Pleaseee

🫂❤️‍🩹

21. "You're my best friend"

I've actually already done prompt 5 (read wasps here) and prompt 21 ("You're my best friend" is 21 not 22), so I just did an angsty prompt 21 instead of redoing both- I hope that's okay! <3

Season 4 spoilers kind of? Just episode 1 vibes.

Promise - prompt 21

JJ Maybank was designed for you to fall in love with him. It ran deeper than his looks; penetrated through the flesh. His personality was interwoven with his beauty the way his veins lined his muscles and skin. All the idiosyncrasies that made him up in flaws and faults, like his recklessness and his impulsiveness, were nothing but charms in your eyes. He caused trouble wherever he went the way a hurricane accidentally leaves a wake in its path. You chased that trouble like a storm chaser: compass and map and get-away car at hand, just for him.

By the wonder of fate, you ended up by his side. It was as though the universe placed you there - as if you and JJ were born from the same star dust, destined to find one another in the next life. From childhood, you were in the picture. Offering him a place to stay when his dad was in one of his blind, drunk rages. Giggling through pier jumping adventures and screaming through cheesy horror flicks. Later, older, he was there after your first “heartbreak” and you were there to hear about his cunning escapades with a random girl on the island, his virginity no longer a mark on his name. And with this age came realisations and ramifications. With this age came thoughts and feelings that were new and alien to you. The kind that warps one’s perception. The kind that frames someone in new ways under new titles. JJ Maybank went from being your snotty, scheming long-lasting friend, into your crush. The more time you spent in his orbit, the closer you were drawn. And so, as designed, you fell in love with him.

He was hard to read and harder to decipher. A flirt, no doubt, though less so as the Pogue-centred adventures grew. His carelessness diminished somewhat when the stakes grew. When the sight of blood and dead bodies became shy of the norm, even compared to his youth in his father’s shadow. John B and Sarah went and with that, JJ came. Closer to you than ever. Needing you more than before. Restless nights and lonely days which you were more than happy to fill, needing him just as much. Nothing beyond cuddles and shared beds. A kiss that never strayed more than a cheek or forehead. Then, reunited with the formerly missing Pogues, came his lightness once more. But that distance didn’t come: he was still just as close. Almost attainable. Poguelandia and El Dorado felt like fever dreams in this light. The one constant was JJ, no matter what, and you the same for him.

Now, settled, JJ’s old Maybank home rebuilt and remade, the bait-and-surf shop up and running, the gang tethered together through trauma and triumph: you finally felt like everything was falling into place, the same way you had fallen for JJ.

“I might just sleep out here tonight,” JJ tells you. He’s lying by your side on the newly fixed up boat. The two of you are staring up at the sky, slowly starting to fill with stars, slowly losing the colour of daylight.

“You’ll be dinner for the skeeters,” you say.

He shrugs. “Circle of life, I guess.”

Laughing quietly, you turn your head. His hair is short again - dirty blonde, sunkissed highlights. The small jut of his chin and the slope of his nose. The high press of his cheekbones from his small, lingering smile. At the feel of your gaze, he turns his head too. An air of amusement brushes over him; has him almost laughing, quirking a brow.

“What?”

“Nothing,” you hum. Your own smile falters and your stomach churns. The words are brewing deep within you like a slow, roasting broth. They’d been there for years now, waiting to slip out, and you felt like you can’t hold it down much longer. JJ’s own smile fades into a look of worry, mirroring your own anxiety.

“What’s wrong?”

“Nothing,” you repeat, lying. “I just…I’m just happy.”

His lips twitch upward again. “Yeah?”

“Yeah. I’m happy you finally have a home, JJ,” you quietly say.

Visibly moved by your sentiment, his hand reaches out for yours, lying limp on the cool plastic exterior of the boat. He squeezes your hand in his. Smiles at you. Holds your gaze. As if drawn in by some outside force, you lean over. Your eyes slip shut and your lips find his, and there, you plant a gentle, soft kiss. It’s no more than a peck. No more than a fleeting, almost phantom moment of weakness. Lingering, lips no more than a centimetre from his, you wait. Wait for some absolution that you hoped might come.

JJ clears his throat. His hand slips from yours. Your heart cracks like the break of an ice surface as he sits up, sort of hurried. You sit up too.

“What’s wrong?” you ask, knowing fully well what the answer is.

JJ is reaching for his boots that he took off an hour or so ago. He meddles with the laces. Not looking at you, he mumbles, “why’d you have to do that?”

“What?”

“Everything was…God, why the fuck did you have to do that?” he repeats, frustrated, maybe even angry.

Your eyes sting and your heart burns and it starts to feel as though you’re slipping away from yourself. “I don’t know. I just…I just figured–”

“--Well, you shouldn’t have,” JJ snaps, his head darting up. Your eyes meet his and there’s this panic there, deep and damning. You feel damned.

“I’m sorry,” you say. Sorry for what? For kissing him? For thinking that he might feel the same? For hoping that he might?

JJ shakes his head and looks back at his boots. His frantic movements stop, fingers mixed with his laces. “Why’d you have to do that, huh? Everything was finally how it should be and now…Now it’s all messed up.”

“Messed up? No, no, it doesn’t…We can just forget about it,” you hurriedly say. You grab at his forearm, wanting his attention, now for a whole new reason. “We can just pretend it never happened.”

“Why’d you do it?”

“I don’t know. I just thought that maybe, with everything that’s happened, maybe you might feel the same way,” you stammer.

JJ’s eyes slip shut. It’s as though you gave him the diagnosis to a disease he always dreaded. “We can’t.”

You’re not sure what he’s alluding to with that. We can’t pretend it never happened? We can’t move forward? We can’t be friends?

“You’re my best friend,” you whisper. “I don’t want to lose you.”

JJ gnaws at his lower lip. You sit and wait and hope and pray that you haven’t managed to tear apart years of friendship with one stupid moment of idiocy. Ironic how JJ lived his life in spur-of-the-moment choices but the second you make one, it might haunt you forever. Eventually, as if in slow motion, he looks at you. There’s a sadness in his eyes as though he knows what he says will pain you, and your heart takes pause as you wait. His lips move wordlessly at first and then, sighing, he finds the words.

“I’m in love with Kiara.”

You feel like bleeding ink on a page. Like you have no mass or place of purchase. Like any meaning you ascribed to anything is now without, soulless and baseless; a work of fiction, like some Shakesperian tragedy.

“Oh,” you breathe.

He nods. “I…I’m sorry, I just…I don’t feel that way for you.”

“Okay,” you murmur. You think you might throw up. You shift in your spot as if preparing to. JJ reaches out a hand and it burns when he touches yours.

“I don’t want to lose you though. I do love you, but the love I feel for her is different. I’m sorry, I don’t know why, I just–”

“--JJ, please,” you beg. You force yourself to look him in the eyes. He’s terrified of everything. Always has been, as long as you’ve known him. More than anything, terrified of love. And you know what that means, for him to care so deeply for someone. You know that he needs you. And you know that, despite everything, you need him. It hurts to be something but it’s worse to be nothing, after all.

Somewhere deep inside of you, you find a smile. A forced, placid smile, like a lady-in-waiting might wear. Your other hand envelopes his and you will the tears away.

“I’m your best friend,” you assure him. The words are sour like acid on your tongue. It feels like blasphemy. Nodding, as if trying to make yourself believe it too, you say, “we can forget the whole thing.”

A relieved smile comes to JJ’s face like a breath of air after free diving. He leans back, nods, happy, overjoyed, appeased.

“Thank God. Cause I don’t know what I’d do without you. I really don’t,” he says, meaning every word. Maybe that’s what hurts the most.

Nodding, agreeing, you say, “Kiara would be an idiot if she didn’t want you, too.”

Smiling to himself, his head dips, abashed, and you know then and there that he’d never be that way for you. He gets up and as his hand slips form your hold, it feels like you’re losing him forever. Once again, he’s reframed. Different again. No longer your crush, no longer your future, and no longer your best friend. He’s a mirage. He isn’t real. You no longer know what to call him or how to name your connection. Because as he walks away, bidding you goodnight, heading to the house where Kiara sleeps soundly, beautiful and brilliant, you begin to cry, knowing that you would never be able to forget it, and yet knowing that you had to.

JJ Maybank was designed for you to fall in love with him, but he was never designed to love you back.

#jj x reader #jj maybank x reader #jj maybank #jj #obx #outerbanks #outer banks #obx 4 #outer banks 4 #outerbanks 4 #jj maybank season 4 #outer banks jj maybank #jj maybank drabble #jj drabble #jj x reader drabble #jj maybank x reader drabble #jj maybank angst #jj x kiara #jiara

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damian-lil-babybat · 3 months ago

Text

DAMIAN WAYNE IS A GREEK TRAGEDY

When I say Damian al Ghul Wayne has almost all the ingredients of a classical Greek Tragedy, it is not an empty claim.

1. Tragic Hero: The hero facing his destiny with dignity. His virtuous character forms a bond with the audience, while his tragic flaw results in the audience’s fear for him, and his terrible punishment reveals a sense of pity.

Damian is the hero of his own story. In his mind, he was given a destiny, a standard to live up to. It came from his grandfather, as Hafid al Ghul, son of the Demon. It came from his mother, as her Alexander, with Talia deluding herself as Olympias. It came from his father, as the son of Batman.

He thought himself perfect on all those role, mighty ones they might be, heavy and overwhelming even, but he persevered in ways that should be impossible and ultimately achieved the pinnacle of a perfect heir for all of them.

2. Tragic Flaw: The human limitations of the hero or an error in judgement leading to the downfall. He attempts to escape from his destiny; however, he unknowingly runs toward it. His attempt leads him to his “damnation”.

But what he thought was perfection, was his downfall. For even if he was designed and raised to be perfect, those roles are fashioned by imperfect mortals. As the son of the Batman, he was all too much of a monster to even be treated as child, let alone a son. As the son of the Demon, he was too soft, kind, and all too human, to sit upon the al Ghul's immortal throne. As the great Alexander, he was deemed as a mere pawn, a victim of circumstance, and not a victor of his own fate.

He was set up for failure before his story even began.

3. Catastrophe: The horrible ending of the play: death, suicide, ruin etc. Upon the truth being revealed about Oedipus’ origin, Queen Jocasta commits suicide by hanging herself, Oedipus stabs his eyes with the pin on Jocasta’s dress and pleads to be exiled from the city.

And just like all tragedies, it ends up in death...so many deaths and sacrifices. Repeat and rinse, the cycle continues with each redeeming arc punctuated by his death or ruin.

And just like Sisyphus, one must imagine him to be happy. For how else could he endure these unending trials?

4. Central Belief of Destiny: The belief of the fact that the actions were preordained by the gods and the flaw was inevitable. Even though Oedipus attempts to flee from his preordained destiny, the belief in inevitable destiny becomes the reason for his destruction.

How else could he keep harking on to his destiny? Desperately clinging to it like a promise gold once he touched it like Midas' cursed hands? But no, everything he touches turns to dust, every height he scale would be pushed down reverting him back to his old bare bones of an unwanted worthless child from both side of his parents, even how much he tries to make things right. Every person or thing he treasured is another ammunition for plot purposes to make him more tragic than he already was.

Damian had tried to flee before, but fate always brings him back. Because Batman needs a Robin. But Bruce already has a Robin, doesn't he? Because Damian needs to be Robin? Just cause, who would he be then? When all those titles he earned has been discarded and thrashed in the light of Batman's justice?

And the only one title he could be proud of is always threatened to be taken away if he just as much cross an invisible line that keep on changing depending on whims of the doomed narrative.

5. The Chorus: Approximately twelve masked men, forming a specific group, make comments on the ongoing play by singing and dancing.

Due to its form of media, Damian has no twelve singing and dancing masked men. XD

BUT If I have a say on this, I'll give Damian his own set of bardic troupe narrating his life story, and maybe somehow DC writers would finally admit he was loved and wanted, and was never alone and actually have family, companions and friends along the way!

https://www.byarcadia.org/post/ancient-greek-tragedy-101-the-introduction

AND THAT IS WHY it makes more sense for writers to like and, or dare I say, even love Damian's character.

A lot of great fanfictioners in AO3 actually root for this little guy. So it's nice ✌️

#damian wayne #Character study #Robin #Bruce wayne #Batman #Talia al ghul #Ra's al Ghul #Dc rant #kurit blog #Sorry for turning this to an essay #Thanks for listening to my TED talk

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veturiusofserra · 5 months ago

Text

when you know, you know | s. r.

𑁤 synopsis: in an interview she opens up about how easy it is to be loved by Spencer, sharing the story of how they met and how his love inspired her music.

𑁤 pairing: spencer reid x singer!reader

𑁤 words: 1.090

𑁤 disclaimer: This was 100% inspired by something my bf said a while ago, and I love the song. I hope you will enjoy it too <3

“As we reach the close of our conversation, one thing’s bugging me. In your song “Margaret,” there’s this line ‘when you know, you know.’ Like, how do you just know someone’s the one? I’ve been through my share of relationships, yet I haven’t experienced that kind of thing you sing about. In your song, it’s all so clear-cut, like you can predict the future. It reminds me of a kid believing in the tooth fairy – sweet idea, maybe not quite real. But that’s probably what makes the song so good. It talks about this perfect love where everything just clicks, and all your worries disappear. Maybe that’s what I’m still looking for, or maybe it’s just for some lucky people. Either way, your song paints such a strong picture of love that it makes me wonder if I’ll ever have a ‘Margaret’ of my own.”

“It’s funny, right? The answer everyone gives is so simple: “you’ll just know.” Like love hits you like a lightning bolt, destiny calls, happily ever after guaranteed. But maybe that’s the problem. We get this picture-perfect idea of love from movies and books, and then we miss the real thing when it’s right under our noses. We set these high expectations, these checklists of what “the one” should be like. And if someone doesn’t tick every box, we write them off. It’s like searching for a flawless diamond, forgetting that even the most beautiful gems have tiny imperfections. Because guess what? We all mess up. You make mistakes, I make mistakes, everyone does. Maybe that’s what makes a real connection so special – accepting someone, flaws and all. Speaking of which, there’s this story I wanted to share with you.”

“We're all ears!”, the interviewer and the crew smile with waiting faces.

“For the longest time, I believed I was destined to give love, but never receive it. Maybe because... well, let’s be honest, I can be a bit self-absorbed, lost in my own head and neglecting others. But even with the no love life mantra, there was always this yearning for a family, a deep desire for children I could call my own. The ‘what ifs’ terrified me, though. Would I be a good parent? Would they be happy? Could I provide for them? Eventually, I resigned myself to a life of music, making people happy through my art, having a few friends, maybe a tragically young death – you know, the artist’s curse.

Then, I found him. We both know Penny, but run in different circles. He’s in law, I’m an artist – about as different as you get, except for maybe a shared love of fancy vocabulary. We met at Penny’s birthday party, and while he claims it was love at first sight for him, I just thought he was the most handsome man I’d ever seen. But that was it. He was too shy to introduce himself, and I was sworn off men at the time. Funny how fate works, right? We never crossed paths before, but after that night, it seemed like everywhere I turned, there he was. That’s when I decided to take a chance, and boy, I was so scared!

All those stories about soulmates and butterflies? They weren’t for me. Anxiety had been my constant companion for as long as I could remember. Butterflies just meant another battle brewing in my head. What I craved was peace, a steady hand to anchor me until I was ready to set sail. So, I built a friendship with him. We shared secrets, dreams, and vulnerabilities. He turned out to be a brilliant mind, a walking encyclopedia with an IQ of 187. Yet, he never made me feel inferior. He found humor in my quirks, and we seemed to complement each other perfectly. The more time we spent together, the more his words resonated: “We were designed for one another.”

And then, it hit me. Love. Deep, unexpected, and all-encompassing. It felt effortless, a perfect fit. But fear gnawed at me. It was all so new, so unfamiliar. Just as I was drowning in uncertainty, Penny, our mutual friend, reached out. She had something to show me – “Margaret.”

“She wrote it?” she asked, intrigued.

“Well, she started it,” I clarify. “Inspired by him, she penned the first lines that night after the birthday party. She couldn't shake the image of his longing gaze, a sight she’d never witnessed before. It felt sacred, a raw glimpse into his heart. The initial draft, rough around the edges, went something like this: ‘just writing for a friend. My shirt's inside out, and penmanship is messy. He met her on the rooftop, and she wore white. He said, ‘I think I’m in trouble.’ He saw flashes of the future.” A gentle smile graces your lips.

“Seriously, that’s adorable.”

I nod, a blush creeping up my cheeks. “Right? Her words sparked inspiration within me. I wrote the rest, my mind consumed by-”

“By him.” she prompted, leaning in.

“He made love feel simple. Loving me was effortless for him, a stark contrast to the struggle I’d always imagined. It was like breathing, a natural and easy rhythm. He helped me discover the light that had been hiding within me all along.”

“There’s a saying,” the interviewer began, “to be loved is to be changed.”

I smiled. “I prefer a different one: to be loved is to be known. Because maybe, just maybe, he saw the affection within me all along, the part I couldn’t quite see myself.”

“You are indeed full of affection,” she said warmly. “Thank you for sharing this story with us.”

“Thank you for listening. I know it's a cliché, but there truly is someone out there for everyone. You never know what tomorrow holds, but deep down, a tiny spark ignites within us, guiding us towards that love. Trust it.”

“That wraps it up for our interview with the lovely Y/n! But before we say goodbye, there's one more message for her. Can we play it, Jonah?” A nod later, the studio fills with the sound of a familiar voice.

“Hey there, love. Just wanted to say congratulations on the album! You poured your heart and soul into it, and I’m incredibly proud. But hey, can you come home soon? Two days feels like an eternity without you. Miss my other half. Love you tons, sweetheart. And everyone listening, stream Ocean Boulevard! Dex says hi to mom, too.” A meow erupts in the background, eliciting a laugh from you and the studio crew.

thoughts? or prayers idk

#spencer reid imagine #spencer reid x reader #spencer reid #spencer reid x you #spencer read imagines #spencer reid x y/n #spencer reid x reader insert #spencer reid x singer!reader #spencer reid singer #spencer reid fanfic #spencer reid fanfiction #criminal minds fic #criminal minds #veturiusofserra writings

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leog4u · 8 months ago

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Game Design and Porn Pt. 1

or, How To Fuck Up The Best Intrinsic Reward Ever

Hi, I'm Leo G, veteran pervert. One time while chatting in a server exclusively made of porn artists, I brought up the game design of a porn game I enjoyed. One of them laughed, saying "Who cares, it's just a porn game?" Being unwell, I never let this go. Since then, I have played many adult games and took each one as serious products made by professionals. Fast forward to today, and the demo for my porn game, Joker's Trip, is nearing completion. I also have some sci-fi erotica you should check out.

So you wanna make a porn game. You heard they make money, and hey what’s more fun than making a video game AND porn? But you don’t know where to begin! Well don’t worry, Leo’s got you covered. We’re gonna walk through the line of thinking you should have when designing your porn game. There's gonna be at least three parts to this, with part 1 focusing on how to reward your player.

Define "porn game" for me, Leo.

There are porn games, and then games with porn in them. A porn game is a game where you won’t last 5 minutes, where everything exists solely to meet and, subsequently, fuck. A game with porn in it is a game where everything exists for the purpose of the game, and also, you fuck. Fate Stay Night, for example, is a VN with a story that just so happens to have some CGs where the protagonist rails Saber, but is mainly about Shirou and the Holy Grail War. Much like how I would call Castlevania a game with horror in it, but not a horror game.

Porn games are a lot like horror games. They both get a bad rap for being cheap to make, appealing to base instincts, and generally being low quality. They're also both not actual genres of games, but genres of content. Think about it, if I asked you what a horror game is, you'd say a game that's scary. But what's the actual game part? The unfortunate answer would most likely be "walking sim," but there are a lot of examples that are FPSes, puzzles, driving sims, platformers, deck builders, the list goes on.

The most common genres of game I see for porn games these days are by far RPG Maker RPGs and VNs. I won’t be talking about VNs because they’re closer to writing than game design, which isn’t a flaw but a feature. What used to be everywhere, in days of old, were breakout games, where the more bricks and levels were cleared, the more of the sexy image would be revealed in the background. Other arcadey type deals like shoot ‘em ups and mahjong were also around, and had a similar “strip ‘em down until you have sex” gameplay loop.

Okay, so what’s an intrinsic reward?

There’s intrinsic rewards, and there're extrinsic rewards. Extrinsic rewards, generally, are the number go up rewards. Things that make your character stronger, or give you more resources to buy new gear or whatever. Intrinsic rewards in games can cover a large swathe of things. It can be the feeling of satisfaction of completing a puzzle, a piece of lore or world building, or a new dialogue option with a character you want to fuck.

I like fucking characters, are we talking about porn now?

Yes! I’m of the opinion that you literally can’t make a better intrinsic reward than pornography. On top of setting the tone for the entirety of the game., at its best it can add to a story, add to someone’s character development, or be a beautiful piece of art to look at. AND you can jack off to it! Unfortunately, that’s at its best. Let’s talk about how porn is delivered in a theoretical RPG porn game. (As a head’s up, there will be talk of “bad end” scenes, but this is under the assumption that the player is the one consenting.)

So you’re playing an RPG and get into a fight. Maybe you were underleveled or too cumbrained to remember to buy healing potions. Then your HP goes to zero, and instead of going back to the title screen, you’re getting fucked by orcs. That’s right, let’s talk about Game Over CGs.

You get to watch porn when you lose?

To someone making a porn game with a battle system, this delivery method makes sense. The characters in this world are driven primarily by lust, this is just the obvious conclusion. And it doesn’t even have to be non-consensual! Games like Future Fragments show that it can be presented as a sexy inconvenience rather than anything uncomfortable for the player or our hero. Game Over CGs even have the benefit of softening the blow of defeat, by giving the player a chance to reflect on their defeat and jerk off. Even better if losing a fight isn’t lost progress, but rather a bump in the road. However, there’s a problem here. The player is a dog, and we’re rewarding bad behavior.

The porn is an intrinsic reward, so why are we giving it to the player for losing? Incentivizing losing on purpose isn’t just bad game design, but a waste of time. And to that end, a lot of porn games try to give solutions to this. One being a kill button on the keyboard or a skill that instantly KOs our hero to get to the lose screen faster. What might seem like a convenience is really just expediting failure.

What it says is that the gameplay doesn’t actually matter. You’re just here for the porn, right? In that case there’s plenty of places I can go to see a chick with huge knockers get railed by an orc, with the added bonus of not having to play forgettable and mid turn based combat!

Another solution I’ve seen is the game outright telling you, “hey don’t bother killing yourself to see the porn. Once you beat the game all of the scenes you missed will be unlocked!” At first this seems like a reasonable way to go about it, but it comes with another problem: your game better be fucking good to make me play through the entire thing before getting to see cock. Like I said earlier, porn at its best can reveal things about the world and drive character development. I uh. Just beat the game. I don’t care anymore. Showing me a scene that’s taken out of context by a factor of 5 hours or more isn’t what I’d call great game design or story telling. It’s also too little, too late.

What if we made the porn actual rewards?

Now we’re getting somewhere! Let’s make the reward…a reward! What if, every time the player beats a level, we get some porn? If we tie the CG to beating the boss, we’ll be tying the reward to game progression. That’s good right? So now, on top of the extrinsic rewards you’d normally get for beating a boss (a lot of EXP, better gear, opened areas) we also get that sweet dopamine rush of pornography! So we’re good, right?

There’s 1142 words left in this post, so I’m assuming no.

Well. It’s a start. It has the problem of predictability. If not handled properly, it comes off as lazy. As a game designer, one of your goals is to not constantly remind your player that they’re playing a video game. Get through the level, get porn. It feels a little too “mouse in a maze looking for cheese” for my taste. And much like the game over method, if the actual game itself is mid, the player will start to question if the reward is worth it, and might be afflicted with the worst condition a player could receive: boredom.

Of course there are exceptions. In puzzle or arcade type games where you don’t get extrinsic rewards, giving the player porn as another form of reward per level or whatever is perfectly reasonable (though it does have the issue of being predictable.) This is a perfectly good way of doing it if your game is short, or if the game is, y’know, good and fun to play. Bad Color’s game, Heroine Conquest, is a level based puzzle game with porn as the reward, but only when you do good. Combining the actual challenge of mastering the game, with a genuinely unique game loop makes for a feeling of accomplishment when beating a level. Pair that up with a sex cutscene, and the dopamine rush will hit.

So! Let’s combine giving the player a power trip, with a less rigid structure for giving the player porn. Instead of tying the porn to purely progression gates, let’s tie it to the progression.

Plot milestones

In Third Crisis, sex scenes are peppered throughout the regular game’s plot, starting with some lesbian bondage before introducing the protagonist, who goes through a tutorial before having their own horny encounters. It’s not just given when you win or lose, but is a natural part of the game. Beating bosses, losing to enemies, and exploring dialogue options in sidequests all lead to unlocking new CGs.

Now what’s nice about that, is that the sex isn’t placed somewhere extremely predictable. It isn’t just a reward for beating The Boss Of Forest Zone, Now Go To Ice Zone And Beat The Ice Boss For More Cock. Because that’s the biggest issue of predictable rewards, you know you’re not getting anything until that checkpoint, which will make the player weigh whether or not it’s even worth continuing. This is fine, again, for an arcade type game, not an RPG or adventure game. By sprinkling sex throughout the plot itself, the player will not only want to progress, but their curiosity will have them wondering “what else is out there?”

Rewarding exploration

By putting sex scenes behind optional side quests or encounters, the dog that is the player will scour every single corner of the map, and leave no pixel unturned. Personally, that’s more exciting to me than what you’ll get in the main progression route. In Future Fragments the player can find their rival Faye in sexual situations if they explore the map enough. These are completely optional, and don’t give any direct rewards like more HP or an item, but they’re by far what motivates me to explore the maps as thoroughly as possible, more so than the plot macguffins the game is named after!

So now the player is excited. Sex can happen anywhere. Maybe that daunting off road path with stronger monsters isn’t just hiding a secret, but a sexy secret! They’ll be more likely to venture down those optional paths you painstakingly made.

If we’re using sex in game overs, boss fights, and just randos, why not put it everywhere?

So now I want to talk about the concept of a “sex stat”. It’s not a bad idea! Say, the higher the player’s sex stat is, the more opportunities you unlock for fucking. It could even be tied to the player character’s personality, and affect the story! Instead of using a sword and shield, they’ll end any conflict with sass and sex. They open their eyes to the horny world around them and stop being a hero, and instead become a succubus, and the ending is a massive cum filled orgy.

That sounds excessive

Yeah, it does, doesn’t it.

I’m not a fan of “corruption” systems in porn games. Corruption as a kink is totally fine, and having it be a part of the story lets you incorporate more sexuality into the plot. But as I alluded to, it snowballs pretty fast (and I’m not talking about spitting in someone’s mouth). It ends up being like a cheat code, where you’re bypassing parts of the game for no cost. It stops being a reward, it stops being unexpected, and it stops it from being sexy.

Wait, what? Stops being sexy? What’s not sexy about a succubus orgy?

Alright, listen, we gotta rein it in for a minute. This isn’t so much about game design as it is about writing erotica, but if you have a world where everyone’s fucking and sucking 24/7, there’s no contrast to make what would normally be a hot taboo a hot taboo. If everybody’s naked, nobody’s naked. The aforementioned snowball effect of a corruption system can be seen if you play literally any game that has one. It won’t take long to not have to engage with any combat or adventuring system if you can just press the “Submit to the big dick warlock” button and watch porn to progress.

Which, now that I said that, is exactly the problem. Imagine any other rpg you’ve ever played. Now imagine if every encounter and dialogue option had an option to just watch a short cutscene to skip the encounter. That would suck ass, right? Literally no difference here.

It would. Hey, I’m sort of lost now.

Don’t worry, we’re wrapping this up.

So what did we learn? We learned game over CGs have a critical design flaw that shouldn’t be relied on. We learned that predictable rewards can lead to boredom. We learned to keep sex as a reward and not devalue it.

To summarize, here’s a neat trick to know where to put your porn scenes.

”Would I put an Xbox Live achievement here?”

It’s that easy. “Lose to Goblins for the first time,” that’s an achievement. “Beat orc commander,” that’s an achievement. “Find Hubert the Magical Dickhead,” that’s an achievement. Using that as a guideline is foolproof. Almost.

This sounds like it’d take a lot of resources

It sure does! But don’t worry. I’ll cover that in the next post talking all about how to deal with the resource management of a porn game.

(Shoutout to Taylor, my guy for editing!)

#Leo Gab #game design #game dev

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